
Not all my drawings made the art director's cut so I'm parking the rejects here, with minimal explanation.
This one is after a painting in the National Gallery, Apollo and Daphne by Piero Del Pollaiuolo, circa 1470-80. I'm not expecting everyone to know the original or to care why I gave it Charlotte Proudman's hairdo. It's based on a Greek myth. Apollo's pursuit of Daphne was thwarted when she turned into a bay tree, Laurus nobilis.

Make up your own story for this one...
...and for this...
For this one I bought an ice cream from McDonald's and got change for a pound.
After drawing it - or what was left after I'd carried it home in the rain - I tried to dispose of the remains. The gluey off-white sludge sulked in the waste disposal. I held the truncated cone under the tap: it remained coherent, expanded and gave me a cold floppy handshake so I strangled out the water and shoved it in the bin along with the flake.
I tried another version of this using a hazard warning cone. Look, I'm not saying all these drawings were of usable quality or anything. Sometimes you need other people to warn you.
This is a victim:
I am not drawing puzzles to be solved, but Seven Types of Ambiguity by William Empson is in my current reading pile. Yeah I know, all that stuff I should have read decades ago.
I don't want all drawings - mine or anyone else's - to have the instant clarity of 'CAUTION - WET FLOOR'. Nor do I expect even that message to be without veils of ambiguity.
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