Drawing from an uncomfortable position
Monday, 25 November 2013
You can’t get the senior partners these days: a lesson in style from Ashurst Morris Crisp
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In 1988, when dinosaurs roamed Hyde Park devouring hideously-attired yuppies, I wrote to the senior partner of Ashurst Morris Crisp. I’d sp...
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Friday, 22 November 2013
Supreme Court art: unpicking immigration law
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My father's father is unknown. He got an 18-year-old factory girl from Toxteth up the duff then disappeared from history. He must have l...
Wednesday, 20 November 2013
Another audience with Pandemonia...
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...and her engaging companion Snowy, of course, who never leaves her side. Serene as ever after a recent hectic trip to Brazil, Pandemonia...
Friday, 1 November 2013
Supreme Court art: too much/not enough information
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I learn that Fine Cell Work, a charity which trains prisoners to create beautiful embroidery, is planning a fundraising auction. Somewhe...
Thursday, 10 October 2013
Supreme Court art: heartbreak hotel
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Peter Bull So here I am next to a real court artist, one with skills and stuff. She has a huge box of loose well-used pastels. A vast sh...
Thursday, 3 October 2013
Supreme Court art: a pipe is not a painting of a tax return
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SKRANNNKK goes the unforgiving minute hand of the slate clock in Court 2. SHWOOSHH goes my Pentel waterbrush on textured paper. Cotter v...
Monday, 23 September 2013
The Royal Courts of Justice. For a change.
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Kim Evans (@lifeincustody) has provided a vantage point - a room at the London School of Mediation. Down on the pavement, protesters with ...
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