Drawing from an uncomfortable position

Monday, 23 September 2013

The Royal Courts of Justice. For a change.

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Kim Evans (@lifeincustody) has provided a vantage point - a room at the London School of Mediation. Down on the pavement, protesters with ...
Sunday, 8 September 2013

Peter's day out at Bisley shooting range

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Peter precision-shooting For me it ends in A&E, natch, but this is about my friend Peter Sloper who wants to go to the National Rifl...
Tuesday, 27 August 2013

Notting Hill Carnival romance

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Hippy crack canisters. I can see blue sea, golden sand, palm tree This year's Notting Hill Carnival is ending. I clamber out over t...

Uses for the Financial Times, part 4

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Protecting the kitchen table from stuff we found in the gutter after the Notting Hill Carnival. I handled it with latex gloves and launder...
Wednesday, 21 August 2013

Uses for the Financial Times, part 3

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To denote gravitas. Nicola Streeten (who wrote the award-winning graphic novel Billy, Me and You and co-founded Laydeez do Comics with ...
Monday, 12 August 2013

Being drawn from an uncomfortable position: the artist as model, part 2

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Artists' models are like public lavatories, engaged or vacant.  I'm at the Newlyn School of Art, working at being the kind of mode...

Sitting for Rose Hilton: the artist as model

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Brushmarks on glass in Rose's studio I am in Rose Hilton's conservatory in Cornwall. She rootles through her pastels. 'O...
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About Me

Isobel Williams
Website http://www.isobelwilliams.org.uk; email izzybody@gmail.com; twitter @otium_Catulle or @boulevardisme; Instagram @isobelwilliams2525 or @boulevardisme.
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